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Tag Archives: masa paper

We just finished up our last watercolor class of this school year. I always save this class to finish out the school year. Each week, we use a different technique in our paintings. Sometimes we change the support we work on. Sometimes we add another medium to watercolor.

The first week we worked on a toned masa paper support.

Nancy Longmate5

Nancy Longmate5

Masa paper is a type of rice paper that you can crinkle, wet, tone and allow to dry before gluing it to the surface of your watercolor paper. Once that dries, you can paint on that as your support. The student who created the above took the process a step farther and collaged other papers onto the surface of her watercolor painting. If you would like to try this technique, I have explained the process here.

The second week we worked on a gesso juice prepared surface.

Henn Laidroo2

Henn Laidroo2

We made a mixture of acrylic matte medium, gesso and water and brushed it onto the surface of our watercolor paper. Before that dried, we scratched into the surface with a credit card. Some of us added rice papers and/or craft sand to the wet surface. Once that dried, we used that as our support to paint on. If you would like to try this technique, I have explained the process here.

The third week we worked with ink and watercolor.

Judy Notestine3

Judy Notestine3

This offered the most possibilities. We could choose to paint with ink and use varying values, splatter, draw with it with an eye dropper, a razor blade, or nib or spritz our applications of ink with a mister (spray bottle with water). The above ink and watercolor was also created on a grunged background. Here are some ink tutorials:

drawing with ink and razor blade

drawing with an eyedropper and spritzing

drawing with a nib and spritzing

using an elegant writer and watercolor

The fourth week we worked on a gouache resist.

Linda Flatley

Linda Flatley

In this technique, we used gouache to coat any area of our painting that would require color later. Once that dried, we coated a layer of waterproof ink over the top and allowed it to dry. Next, we rinsed the entire painting with water (hose is best) to remove the ink from the gouached areas. This leaves a block print-like image. We then paint the white areas once the surface has dried. If you would like to try this, I have explained the process here.

The last thing that everyone tried was a self portrait combining watercolor and collage. They could work on any surface they wanted to and could collage with any papers they wanted to.

Laura Lindsay

Laura Lindsay

Kathy Smierciak4

Kathy Smierciak4

We use a glue made with acrylic matte medium and water. There are many posts within my blog that discuss citrasolv collage and rice paper collage. Just insert either in the search block below and you will find explanations of these in the event you are interested in trying these techniques.

All the student’s works for this class can be found by clicking here.

Thank you to all the artists who have shared their work here. Have a great summer break!

oldtrees

The second technique we worked on in Watercolor Plus class was painting on Masa Paper. This is one of my favorite surfaces to work on. I have a tendency to be very edgy and the toned paper seems to help break that up a bit. If you would like to try this technique, I have a tutorial here.  …or type masa into search box below and view many more examples of this type of painting.

keikoingrass

The above painting required some planning. I had a photographic reference sent to me from my daughter of this cat laying on his back, his favorite pose. I tried to lay it out and come up with some way to paint him that might be interesting, other than just him in paint. I finally decided on using another reference photo where there were a large assortment of overlapping grasses and combined the two. I also decided to use a sheet of masa paper to enhance the texture and maybe create more interest. I have a tutorial on how to prepare and use masa paper with watercolor here.

lunarlandscape

The above is my take on a lunar landscape.

K-9care

The above painting is a gouache resist. I was attempting to create a composition using shapes. I describe how to create a gouache resist here.

Laura Lyndsay

Laura Lyndsay

Henn Laidroo3

Henn Laidroo3

Cindy Guzik3

Cindy Guzik3

The artwork, above, are three of the paintings created by students who just finished a class on working with painting on masa paper and using rice paper collage with watercolor.

If you would like to view many more of these paintings you can click here or scroll to the top of the page and click on Student Art: Masa and Rice Papers and Watercolor in order to access the page.

firebush

 

I had so much fun working with this scene on masa paper. My sister has been generous enough to share photos of her journeys along the east coastline of Lake Michigan. She is a “lake girl”.  I fell in love with the colors of this scene and the chair waiting for someone to come and sit in it. Thank you, Sis!

masalion

This lion was painted on masa paper, a rice paper that can be crinkled, soaked in water, toned, dried and glued to the surface of watercolor paper in order to provide a watercolor artist a different surface to paint on. The textural possibilities are varied and, oftentimes, very interesting. They, generally, take me longer to paint, but the extra time spent is well worth it. I have several tutorials. The first one is located here. The update is located here.

If you would like to view a selection of the paintings I have completed on masa, just click the tag, masa paper, under the title of this post.

Alan Clayton

Alan Clayton

Mary Smierciak3

Mary Smierciak3

Cindy Guzik3

Cindy Guzik3

The above three paintings were created in the Exploring watercolor class, this spring. They worked on the basic skills and techniques from learning the different brushstrokes, some basic techniques (wax resist, salt, sponging) and basic color theory. They created paintings of foliage and trees, little people, buildings, and a scene that was backlit.

Leslie Vrchota3 Masa Paper

Leslie Vrchota3 Masa Paper

Sue Mendenhall3 Abstract Rice Paper

Sue Mendenhall3 Abstract Rice Paper Collage

Jan Reche3 Realism Rice Paper Collage

Jan Reche3 Realism Rice Paper Collage

These last three paintings were created in the Watercolor Masa and Rice Paper Collage.  We spent the first two weeks learning how to tone, affix and paint on masa paper. The last four weeks were spent on learning how to use rice paper collage in our watercolor paintings. I think it is one of the most difficult techniques to learn and everyone did great.  They began by creating abstract rice paper and watercolor collages and gradually moved through them into incorporating collage into realistic images.

More student paintings from these classes may be viewed by clicking here or clicking on Student Art: Spring Classes in the pages bar at the top of the blog.

Thank you to all my students for sharing your work here.

rocksandwater

corey'sflamingos

The above paintings were both from reference photos that my daughter brought to me years ago. They are both from a zoo outing in Florida.

I was totally drawn to the shapes and the value contrasts in both of them. The top one,  rocks and water, had a fascinating abstract quality to it. The second one was interesting because of the shapes of the birds; one leading into the next.

Masa paper continues to be one of my favorite surfaces.

 

oldtree

This week I returned to painting on masa paper. I found a wonderful reference photo of this old tree on wet canvas and it drew me in to want to try it.

Those of you, who have followed my posts, know that this is my favorite watercolor surface. I have a beginning tutorial here if you are interested in trying this yourself. I have posted multiple masa paper posts and you can view them by clicking the tag called masa paper under the title of this post. I paint and lift and paint and lift on this surface. I work until I like what appears. There is waiting time in between because the pigment soaks through the toned masa paper to the coldpress watercolor paper I have adhered it to.

I welcome any questions you may have in the comment section below and will answer them as best I can.

dock

There was no other reason for trying this image than to see if I could paint these detailed shapes and capture their reflections. This was painted using a reference photo from “Artist’s Photo References Buildings and Barns” by Gary Greene.

The most difficult part of this entire piece was trying to decide what to include and what not to.