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Tag Archives: gouache resist

 

The paintings, above, are gouache resists. It is a process involving the use of ink, white gouache and watercolor. I enjoy experimenting with all sorts of images when I create these. They all turn out different. If you would like to try this I have a tutorial here.

My Grandchildren have been back and forth this summer sharing all sorts of activities with me. This summer I taught them how to grid a portrait from a photo reference, size their format for proper dimensions and grid their watercolor paper to help them draw their Dad’s.

The following is what they came up with.

9 year old

The photo reference for the above portrait was from a Christmas photo.

10 year old

The above photo is the same Dad as the 9 year old’s but at a recent rock concert (making a funny face).

11 year old

Photo taken at rock concert.

I was amazed how easily they caught on to gridding and how happy they were when they saw they could see where to put their drawing lines in relation to the grid lines. They needed very little help from me. Noses and mouths were what they needed help with, but not much. We used a very simple grid and  divided the paper into 9 sections. I have described how to do this in this post. It was a great exercise in math. They were able to see how math can be important in everyday activities. Children soak things like this up so quickly!

 

Laura Butchko

Kara Morris3

Jim Wulpi5

 

Jan Reche

Diana Ringer2

Linda Flatley2

The above paintings are just a few from the spring classes in watercolor this year.

The beginning class learns about their supplies, basic techniques in application such as wet-in-wet, wet on dry and dry brushing. They learn about color combinations and value, texture and techniques to enhance texture. They learn to use masking fluid. We talk about things we need to be concerned with when painting trees, clouds, buildings and little people. If you would like to view more of the Beginning Watercolor  paintings,  there is a temporary gallery set up here.

The Watercolor Plus class worked on six different mixed media approaches with watercolor. They painted on masa paper. They worked with ink and watercolor and chose all sorts of different techniques with ink. One example using ink might be this technique. They used citrasolv collage and watercolor. They used white gouache to glaze a painting. They did a gouache resist.  Everyone painted on a textured gesso surface they created.

If you would like to view a gallery of the  Watercolor Plus class paintings click here.

Thank you to all my students who attend my classes and share their art here!

islandponies

twoturtles

Sorry for my long absence. I will slowly be getting back to visiting all of you and hope to post more frequently.

The above two paintings were done by using the gouache resist technique that I have outlined for anyone to try by clicking here. I have always enjoyed this process, even though it is lengthy. I like the rustic block print-like look to them. Some of them, I have liked in the black and white stage and choose to not color them in with watercolor.

carouselinkandwc

Another painting I worked on was one that I combined waterproof black ink and watercolor to create. I initially splattered the surface of the watercolor paper with white acrylic gesso and waterproof black ink ( I use india ink). I then drew out my composition and used two separate techniques to lay in the inking. I drew and scraped in the mane on the foreground black and blue horse with a razor blade. I also drew some of the fine lines on the background horses with the tip of the razor blade. The larger black inked lines were drawn with an eye dropper and spritzed with a fine mist from a spray bottle.

tedandme

The last painting I completed was a self portrait of me with my new rescue dog. This is painted with watercolor, first. Then I added numerous paper collage. The dog is mostly rice paper and watercolor.  The dark creases in my sweater and the bit of blouse under my chin are citrasolv collage papers.

Again, I apologize for my long absence and will be around to play catch up and see what you all have been working on.

 

We just finished up our last watercolor class of this school year. I always save this class to finish out the school year. Each week, we use a different technique in our paintings. Sometimes we change the support we work on. Sometimes we add another medium to watercolor.

The first week we worked on a toned masa paper support.

Nancy Longmate5

Nancy Longmate5

Masa paper is a type of rice paper that you can crinkle, wet, tone and allow to dry before gluing it to the surface of your watercolor paper. Once that dries, you can paint on that as your support. The student who created the above took the process a step farther and collaged other papers onto the surface of her watercolor painting. If you would like to try this technique, I have explained the process here.

The second week we worked on a gesso juice prepared surface.

Henn Laidroo2

Henn Laidroo2

We made a mixture of acrylic matte medium, gesso and water and brushed it onto the surface of our watercolor paper. Before that dried, we scratched into the surface with a credit card. Some of us added rice papers and/or craft sand to the wet surface. Once that dried, we used that as our support to paint on. If you would like to try this technique, I have explained the process here.

The third week we worked with ink and watercolor.

Judy Notestine3

Judy Notestine3

This offered the most possibilities. We could choose to paint with ink and use varying values, splatter, draw with it with an eye dropper, a razor blade, or nib or spritz our applications of ink with a mister (spray bottle with water). The above ink and watercolor was also created on a grunged background. Here are some ink tutorials:

drawing with ink and razor blade

drawing with an eyedropper and spritzing

drawing with a nib and spritzing

using an elegant writer and watercolor

The fourth week we worked on a gouache resist.

Linda Flatley

Linda Flatley

In this technique, we used gouache to coat any area of our painting that would require color later. Once that dried, we coated a layer of waterproof ink over the top and allowed it to dry. Next, we rinsed the entire painting with water (hose is best) to remove the ink from the gouached areas. This leaves a block print-like image. We then paint the white areas once the surface has dried. If you would like to try this, I have explained the process here.

The last thing that everyone tried was a self portrait combining watercolor and collage. They could work on any surface they wanted to and could collage with any papers they wanted to.

Laura Lindsay

Laura Lindsay

Kathy Smierciak4

Kathy Smierciak4

We use a glue made with acrylic matte medium and water. There are many posts within my blog that discuss citrasolv collage and rice paper collage. Just insert either in the search block below and you will find explanations of these in the event you are interested in trying these techniques.

All the student’s works for this class can be found by clicking here.

Thank you to all the artists who have shared their work here. Have a great summer break!

keikoingrass

The above painting required some planning. I had a photographic reference sent to me from my daughter of this cat laying on his back, his favorite pose. I tried to lay it out and come up with some way to paint him that might be interesting, other than just him in paint. I finally decided on using another reference photo where there were a large assortment of overlapping grasses and combined the two. I also decided to use a sheet of masa paper to enhance the texture and maybe create more interest. I have a tutorial on how to prepare and use masa paper with watercolor here.

lunarlandscape

The above is my take on a lunar landscape.

K-9care

The above painting is a gouache resist. I was attempting to create a composition using shapes. I describe how to create a gouache resist here.

We just finished our last class of the school year 2014-2015 last night. I save this class until the end each year because it is composed of five different ways to use watercolor with other mediums. It is designed to stretch our creativity and give us other options to use when creating our paintings. It is probably the most challenging of the classes because these take an investment of time that some of the other classes don’t require.

Kathleen Smierciak2

Kathleen Smierciak2

The first week we worked on anything ink and watercolor.

Linda Flatley2

Linda Flatley2

Jan Reche2

Jan Reche2

The second week we worked on Gouache Resist.

Mary Smierciak

Mary Smierciak

Sue Joseph4

Sue Joseph4

On the third week we learned how to make gesso juice, apply it to our paper and create texture in it.

Melissa Scare

Melissa Scare

Roxanne Yoquelet

Roxanne Yoquelet

The fourth week was devoted to learning how to treat National Geographic photos with CitraSolv to make beautifully colored collage papers and use them to create watercolor and collage paintings.

Nancy Longmate5

Nancy Longmate5

Ruth Karau3

Ruth Karau3

On the fifth week we worked on creating paintings using wax resist.

On the sixth and last night everyone worked on a technique where they paint into a soaked piece of watercolor paper, developing the painting as it dries. They could even use pastels and work them into the watercolor.

If you would like to view the other paintings created by these students you can click here or scroll to the top of the page and click on the page that says Student Art: Watercolor Plus 2015.

Thank you to all my students who shared their work here! 🙂

facesilly

 

facefrown

 

We just finished working on gouache resists in my class. If you would like to try this technique, I have described the process here. I have used this technique for a landscape, animals, and still life but had not tried a human portrait. I used a really interesting book titled “Facial Expressions” by Mark Simon. It is a book of references of hundreds of expressions done by people of all ages to be used as reference material. I want to try doing a family member in gouache resist. This was an interesting project and fun to do.

Another watercolor portrait class has ended and I have posted up to two paintings by each artist who took one of the two sessions of this class. Some of the artists have been painting for years. Several have only had one year experience and have come to this class from beginning watercolor, so it is very diverse. They also have very different interests and make different choices about the techniques and references for their creations.

 

 

Sue Joseph2

Sue Joseph2

Barbara Steinkamp2

Barbara Steinkamp2

They studied face parts by painting eyes, noses, hands, mouths and ears, individually. They learned work from the use of a grid for proportion and to work toward a likeness. They studied composition and how to design a portrait that would be more pleasing. They studied skin color and

Leslie Vrchota

Leslie Vrchota

how to create a rich and colorful black using yellow red and blue.

This class was not limited to the human face and included figures in landscapes and animal portraiture.  I also handed out a list of watercolor ideas  to challenge them to reach.

Henn Laidroo2

Henn Laidroo2

John Kelty2

John Kelty2

The above portraits show people doing something and suggest a story for the viewer.

Kathleen Smierciak

Kathleen Smierciak

One artist challenged herself to paint white on white.

Mary Smierciak

Mary Smierciak

Another artist created a colorful gouache resist of her son in his winter bicycle gear.

If you would like to view the entire gallery of this fall’s watercolor portrait class, click here. You can also access this page by clicking the link to the Student Art: Watercolor Portraits at the top of this blog page.

Thank you to all of you very talented artists for continuing to take these classes and share your work here. I continue to be inspired by your talent and creativity!

theoutpost2

 

theoutpost

 

This is an example of what a goauche resist looks like before I paint into it. I took this one beyond and became very intricate in my drawing like some of the resists I’ve done of race horses. I waited some time before painting into this one because I liked the original black and white resist. My mind still argues with me as to whether I should have added color. I even almost threw this one away because I became so frustrated with it.  There was so much gray scale to this one that, when I added the watercolor, I could not see the image any farthur back than about six feet and that bothered me. Then, I said to myself , “go back in with white for the shack and see if you can pop it some”. That worked. It brightened up the colors I’d chosen and popped the image of the shack enough that it gave it an eerie time of day, maybe dusk. Sometimes it is just practicing enough with your techniques to bring something around.  There are many artists who resort to other mediums,  like collage and pastels, to bring something back to life. Sometimes it is better not to give up.  Sometimes you just have to walk away and move on. This time, I think it worked to change the plan.

malteseresist

 

 

malteseresist2

 

The above two paintings were created by using a gouache resist technique that I teach in my watercolor plus class. If you would like to try one, I have a tutorial on this technique here.

Both paintings were created with the use of one photo reference from wet canvas. It never ceases to amaze me, the amount of variation that can occur during multiple repeats of the same reference by the same artist. I think that is one of the reasons I am so drawn to fine art painting. What was the artist thinking? What was the artist trying to share? What was the artist seeing? Try as I might, I can not make a second painting of the same subject look just like the first one. Things change. I either see new things in the reference material or feel differently the second time through.

Every once in awhile I will give my students the same reference to work from and  they all look so different! Some choose to paint only a portion of the reference.  Their color choices always vary.  Their drawing styles and techniques are different.

For me?  Reading a painting is just like reading a book. There is always a hidden story about their creator in them. Creativity is a wonderful thing!