I don’t know why I like working on a background that has marks on it already. The above two paintings were drawn and created on watercolor paper that I had “grunged” with coffee, ink, and applied gesso to in advance. Here is a post that describes the process.
It is not just the challenge of working on a surface that has been disturbed that I find interesting. It is examining the marks and finding a subject that they work with or discovering new ways of working with or around abstract marks. It is seeing that all these marks can increase the feeling of depth in some paintings.
The top painting is Teddy, my dog. The bottom one is a self portrait.