This painting is very similar to the banana plant shown here. I soaked a piece of 140 lb cold press paper in water for about 5 min, making sure the paper is saturated ( a simple line drawing of Payton was already drawn on the paper). I then layed the wet paper on a sheet of acrylic and smoothed it out. I began my image by painting with watercolor as I had with the banana plant. Then, to furthur describe Payton, I began working pastel into the soupy wet of the watercolors. Interesting effects occur when you do this. Sometimes the pastel blends with some of the soupy color and other times it acts as a strong resist. The pastel becomes super creamy in the water and easy to work into the image. The interesting effects on the right side of the background was not salt but something the paper came into contact with when soaked, so you may have some of this. The one thing I had to watch for with this technique is to not build up one medium over the other and to let them compliment one another. As the paper becomes more dry, your watercolor will go in with deeper color. Remember, when finished, to move the paper to another surface than the acrylic. If left on the acrylic, it could become stuck to it. Because of the pastel in this, I lightly spray my finished painting with fixative. I used nupastels and soft pastels, both, in this.
Tag Archives: maltese
Here is a painting I did of my little dog, Tucker. I did create this fully from life. Oh my what a task. I just wanted to see if I could do it. It took two evenings, of course, because he kept moving. The first night I followed him around and gestured all the different poses in. Did you know that dogs assume the same positions over and over again and that all I needed to do was be patient and he’d sit or lay down the same way again? So, the next night, I just had to wait for him and keep misting my paints until I could quickly describe his form.
The other thing I wanted to do was design the white spaces so this would be a vignette like Judi Whitton describes in her book, Loosen up your Watercolours. A vignette is a piece where you don’t paint all the white. The white space that the artist leaves should enhance the piece and be part of the design. The artist is supposed to make sure that several of the edges have paint contacting a portion of them as I have done here. I would like to do more of these. Another artist that does a really good job of fading his paintings into white space is John Lovett. It’s not that easy to do.