This is an example of what a goauche resist looks like before I paint into it. I took this one beyond and became very intricate in my drawing like some of the resists I’ve done of race horses. I waited some time before painting into this one because I liked the original black and white resist. My mind still argues with me as to whether I should have added color. I even almost threw this one away because I became so frustrated with it. There was so much gray scale to this one that, when I added the watercolor, I could not see the image any farthur back than about six feet and that bothered me. Then, I said to myself , “go back in with white for the shack and see if you can pop it some”. That worked. It brightened up the colors I’d chosen and popped the image of the shack enough that it gave it an eerie time of day, maybe dusk. Sometimes it is just practicing enough with your techniques to bring something around. There are many artists who resort to other mediums, like collage and pastels, to bring something back to life. Sometimes it is better not to give up. Sometimes you just have to walk away and move on. This time, I think it worked to change the plan.